Wednesday, January 30, 2013
The rmwillustration blog has moved!
The past few weeks I've been very busy building a new website for my art and blog.
I'm going to continue blogging on http://www.willem-art.com/blog/
Hope to see you there!
Friday, January 25, 2013
This Week's head sketches #1
To get better at drawing portraits, I have a sketchbook that I only use for drawing heads. I try to make one sketch-a-day. Here is a page with this week's sketches.
Wednesday, January 23, 2013
Drawing: Small Brook in a Garden
Small Brook in a Garden
Charcoal on paper
This is another one of the drawings I made for the "Stenberg" series.
Monday, January 21, 2013
Gouache portrait painting
After browsing through some old car magazines, I wanted to try and paint a portrait in gouache.
I always found the paint a little difficult to work with.
Oil paint stays wet much longer and that makes it easier to blend and to make soft edges.
For this illustration I used heavy canvas paper.
I had used gouache before on watercolor paper, but never really liked the results. The paper seemed to absorb the paint too much.
I'm not yet getting the smooth blends I'm after, but I feel that moving the quick drying paint around is easier on canvas paper.
Friday, January 18, 2013
Finding Inspiration
While I usually don't wait for inspiration to come before I start drawing or painting, there's often a clear "aha" moment somewhere in the process.
When I create something -it can be song, a painting, a story- there has to be an idea, some kind of spark to get started.
Inspiration can come while I'm alone or in a room full of people. It can be anything really. Something somebody said, a look or pose, the branches of a tree, an abstract pattern.
When I'm lost for ideas, taking an "artistic break" from working always helps -especially when I've been struggling to get it right.
I like walking around the neighborhood with a camera, or driving around at night with a pile of CD's on the passengers seat (that's my old 1953 Buick there on the picture).
A break put things in perspective, I get a distance from the work and suddenly I know which direction to take.
Inspiration can come while I'm alone or in a room full of people. It can be anything really. Something somebody said, a look or pose, the branches of a tree, an abstract pattern.
When I'm lost for ideas, taking an "artistic break" from working always helps -especially when I've been struggling to get it right.
I like walking around the neighborhood with a camera, or driving around at night with a pile of CD's on the passengers seat (that's my old 1953 Buick there on the picture).
A break put things in perspective, I get a distance from the work and suddenly I know which direction to take.
Wednesday, January 16, 2013
Tuesday, January 15, 2013
Portrait Painting in black&white oil - PART II
This is part II of my attempt to paint a black&white portrait as shown in the book "Creative Illustration" by Andrew Loomis.
In part I I finished the charcoal underdrawing. In this post I'll show some photo's of the beginning of the painting stage.
The black paint I used is a mixture of Ivory black (a blue and cool black) and Burnt Umber. I pre-mixed four values: An almost white gray, a light grey, a dark gray, and an almost black gray.
1. I started blocking in the darkest parts and the background.
2. Adding the whites and a light gray for the skin.
3. Adding more details on the hair and face.
I felt this was a critical moment in the painting, how to continue?
You can see how the painting turned out in the upcoming part III.
In part I I finished the charcoal underdrawing. In this post I'll show some photo's of the beginning of the painting stage.
The black paint I used is a mixture of Ivory black (a blue and cool black) and Burnt Umber. I pre-mixed four values: An almost white gray, a light grey, a dark gray, and an almost black gray.
1. I started blocking in the darkest parts and the background.
2. Adding the whites and a light gray for the skin.
3. Adding more details on the hair and face.
I felt this was a critical moment in the painting, how to continue?
You can see how the painting turned out in the upcoming part III.
Friday, January 11, 2013
Drawing Grid in Photoshop Elements
When drawing from photographs, I often make use of a drawing grid. When I copy my own sketches to a larger canvas I also find this the best way to go.
By drawing and not tracing, you keep training your eyes and improving your skills. Depending on the subject, sometimes a line through the middle and one across is enough to hold on to.
In Photoshop Elements it's easy to display different kinds of gridlines in the preferences window: Photoshop Elements -> Preferences -> Guides & Grid
You can switch the grid on and off from the view menu: View->Grid
To display a grid with a lines through the middle point and quarter points, select Gridline every: 50 percent and Subdivisions: 2
By drawing and not tracing, you keep training your eyes and improving your skills. Depending on the subject, sometimes a line through the middle and one across is enough to hold on to.
In Photoshop Elements it's easy to display different kinds of gridlines in the preferences window: Photoshop Elements -> Preferences -> Guides & Grid
You can switch the grid on and off from the view menu: View->Grid
To display a grid with a lines through the middle point and quarter points, select Gridline every: 50 percent and Subdivisions: 2
Sunday, January 6, 2013
Van Gogh Drawings
I found these two prints of van Gogh drawings in an used&antique store. I spotted them the moment I walked in the door. The drawings are professionally framed by O.M. Knudsen in Oslo.
On the back there are labels that say in Dutch and English:
Arenlezende Boerin, 1885, Woman Gleaning
Maaiende Boer, 1885, Peasant Reaping Corn
Monday, December 31, 2012
Friday, December 28, 2012
Sunday, December 23, 2012
Illustration Friday: Glow
Amidst all the christmas preparations, I made a quick illustration for this week's theme "Glow". This one is a bit of an experiment. I had fun painting it with ArtRage, a free digital painting program.
Merry Christmas and Happy Holidays!
Saturday, December 22, 2012
Plaster Cast Portrait Drawing
I bought a small cast of a head in an antique shop to practice portrait drawing from life. It's nice to have a patient model and to be able to turn the head and light-source any way you want.
Friday, November 30, 2012
Portrait painting in black&white oil - PART I
I'm a big fan of the art books by Andrew Loomis. Every time I read "Creative Illustration" I find something new and I often think: "Why didn't anyone show me this before?"
On page 116 he writes about a painting technique he calls the soft approach. Large tones are painted in directly and edges are softened immediately. After that details are added while the paint is wet.
I have drawn quite a few portraits in pencil and charcoal that turned out well, but I find portraits in color still difficult to do. Taking one step back to black and white paint is a good exercise.
This is the first of three blog posts of the painting in progress.
Saturday, November 10, 2012
Tree drawing in black chalk
A drawing of a tree in our garden. I thought I could enter it for this weeks illustration friday theme: tree.